Baroque Meets Three Stripes 👟

AI Generated Short Movie: Where Art meets Sport.

I’m thrilled to share my latest project: an AI generated short movie where historical figures on canvas confront and interact with modern faces, all linked by the iconic Adidas Three Stripes.

This is more than just digital art. My aim was to create a lasting emotion and personal memory for the viewer going beyond simple branding. I chose Adidas because, to me, it represents the excellence and history worthy of being viewed as an artwork.
This short film is a surreal and dreamlike journey created to narrate a challenging period in my life: finding a new path after job loss and an injury. I felt like a solitary traveler in the desert, carrying my own weight but finding the inner strength to start over. « Ces jours qui te semblent vides et perdus pour l’univers, ont des racines qui travaillent les déserts. » (The days that seem empty and lost to the universe have roots that work the deserts.) If you see a little bit of yourself in these images, please leave a comment. Behind the Scenes: The Art of Artificial Intelligence This project blends human sensibility with the latest in AI Art technology: Still Images: generated with Midjourney. Video Animation and Movement: processed with Kling. Music: the emotional soundtrack guiding the journey was also created by Kling.
Baroque meets Futurism in Versailles! This experimental short film is a bold fusion between the classical iconography of the Mater Dolorosa and cyberpunk aesthetics. The video features a majestic character, immersed in the opulence of the Palace of Versailles, wearing a futuristic steel mask. The golden halo symbolizes the eternal, contrasting with technology. The focus is on the emotional paradox: an ice heart that burns with unquenchable passion. A visual exploration of the sacred and profane contrast in contemporary art.
🎬 Louis dans le Métro: A Critical Analysis of an AI Movie on Modern Alienation Title: Louis dans le métro The film Louis dans le Métro, an AI Movie that boldly challenges the boundaries of contemporary narrative, stands as an acute and dreamlike meditation on the famous existential triad: "Métro, Boulot, Dodo" (Subway, Work, Sleep). The visual artist/director doesn't merely illustrate routine; they transform it into a surreal fairy tale of repression and sublime liberation. The work immediately captivates the viewer with its striking visual contrast and potent anachronism. The opening sequence, The Absurd Routine, introduces us to Louis—a majestic figure dressed in lavish gold brocade and lace worthy of a baroque court—yet trapped within the concrete and morning chaos of the crowded subway. Louis isn't a simple commuter; he is a symbol, the personification of nobility, or high representation, forced into a routine existence that metaphorically represents capitalist alienation. The weariness etched onto his royal face, juxtaposed with the opulence of his attire, is a visual stroke that encapsulates the theme of modern-day estrangement.
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